Bruce Brubaker,
piano
Bruce
Brubaker joined the New
England Conservatory faculty as piano chair in 2005. In live
performances from the Hollywood Bowl to New York’s Avery Fisher Hall,
from Paris to Hong Kong, and in his continuing series of recordings for
Arabesque—Bruce Brubaker is a visionary virtuoso. Named “Young Musician
of the Year” by Musical America, Bruce Brubaker performs Mozart with the
Los Angeles Philharmonic, and Philip Glass on the BBC. Profiled on NBC’s
"Today" show, Brubaker’s playing, writing, and collaborations continue
to show a shining, and sometimes surprising future for pianists and
piano playing. His blog “PianoMorphosis” appears at ArtsJournal.com.
Pulitzer Prize–winning
Washington Post critic Tim Page has said: “I wouldn't trade Pollini,
Argerich, Richard Goode, Peter Serkin or Bruce Brubaker (to mention a
terrific younger artist) for any handful of Horowitzes!” Brubaker was
presented by Carnegie Hall at Zankel Hall in New York, at Trifolion in
Echternach, at Michigan’s Gilmore Festival, and at Boston’s Institute of
Contemporary Art, as the opening-night performer in the museum’s
acclaimed new Diller Scofidio + Renfro-designed building. He is a
frequent performer at New York City’s Le Poisson Rouge.
Bruce Brubaker’s CDs for Arabesque include Time Curve (music by
Philip Glass and William Duckworth), Hope Street Tunnel Blues
(music by Glass and Alvin Curran, featuring Brubaker’s transcription of
a portion of Glass’s opera Einstein on the Beach), Inner
Cities (including a live recording of John Adams’s Phrygian
Gates and Brubaker’s transcription of part of Adams’s opera
Nixon in China), and the first CD in the series, glass cage,
named one of the best releases of the year by The New Yorker
magazine.
Brubaker has premiered works by Glass, Nico Muhly, Mark-Anthony Turnage,
and John Cage. He performed at Sanders Theater in collaboration with
Cage during the composer's tenure as Charles Eliot Norton Lecturer at
Harvard University. Of Brubaker's playing at a later recital at Harvard,
The Boston Globe wrote: “A big-toned, brainy, firebrand kind of
music making that made you think of—dare one say this?—Rudolf Serkin.”
Following his New York debut at Lincoln Center’s Alice Tully Hall,
Brubaker was awarded a solo artist grant from the National Endowment for
the Arts. His London debut at the Wigmore Hall led to his first
broadcast concert on the BBC, an all-Brahms recital. Brubaker has
appeared at Lincoln Center’s Mostly Mozart Festival at Avery Fisher
Hall, the Hollywood Bowl, Tanglewood, London’s Wigmore Hall, Leipzig’s
Gewandhaus, Antwerp’s Queen Elizabeth Hall, and Finland’s Kuhmo
Festival.
Bruce Brubaker has appeared on RAI in Italy and is featured in the
documentary film about the Juilliard School, made for the PBS “American
Masters Series.” As a member of Affiliate Artists Xerox Pianists
Program, he presented residencies and performed with orchestras
throughout the United States.
At NEC, in addition to his teaching duties, Brubaker has coordinated
schoolwide celebrations of the music of
Chopin,
Haydn, Liszt, Messiaen, Mozart, Schuller, Scriabin, and Shostakovich
that have included performers outside the piano department, as well as
Preparatory students performing alongside College piano majors. Under
Brubaker's guidance, the weekly Piano Seminar has exposed piano majors
and curious members of the public to a wide range of performers and
thinkers.
Brubaker has given masterclasses and forums at the Sibelius Academy in
Helsinki, the Jerusalem Academy of Music and Dance, Columbia University,
Leipzig’s Hochschüle für Musik, the École Normale in Paris, Ghent’s
Orpheus Instituut, North Carolina’s Eastern Music Festival, and the San
Francisco Conservatory of Music.
Brubaker's articles about music have appeared in The Wall Street
Journal, USA Today, Piano Quarterly, Dutch
Journal of Music Theory, and Chamber Music magazine. He
was co-editor and a contributor to Pianist, Scholar, Connoisseur:
Essays in Honor of Jacob Lateiner (Pendragon Press, 2000), a
collection paying homage to his former teacher. His essay “Time Is Time”
appears in Unfolding Time (2009), available in the U.S. from
Cornell University Press. He presented the closing recital in Harvard
University’s Crosscurrents conference in 2008. He is the U.S.
representative for "Behind the Music: The Performer as Researcher," a
research initiative based in Australia.
Prior to coming to NEC, Brubaker was the creator in 2000–2001 of
“B-A-C-H,” a six-concert series in New York examining the connections
between J. S. Bach and the composers who followed him. The previous
year, at the turn of the millennium, he organized “Piano Century,” in
which 100 pianists performed 101 twentieth-century pieces in eleven
concerts. In 2004, Brubaker created and performed Pianomorphosis,
a 70-minute multidisciplinary performance piece for the Gilmore
International Keyboard Festival in Michigan. Brubaker's performance
piece Haydnseek, was created together with Nico Muhly. Brubaker
is the founder and artistic director of the chamber music festival
SummerMusic in his native Iowa.
Well known in the music profession as an identifier and nurturer of
musical talent, Brubaker's students have won major international
competitions and prizes, and built recording and performing careers
throughout the world.
Brubaker trained at the Juilliard School, where he received the school's
highest award, the Edward Steuermann Prize, upon graduation. At
Juilliard, where he taught from 1995 to 2005, he has appeared in public
conversations with Philip Glass, Milton Babbitt, and Meredith Monk.
B.M., M.M., and D.M.A. in piano, The Juilliard School. Principal
piano studies with Jacob Lateiner; chamber music with Felix Galimir and
Louis Krasner; analysis with Milton Babbitt. Former faculty of the
Juilliard School.
|