Kristopher Tong, Violinist

Considered one of the most exciting musicians emerging today, Violinist Kristopher Tong has been praised for his depth of insight, virtuosity and creative flair. In 2005 Mr. Tong served on the faculty at the Yellow Barn Festival's Young Artists Program and from he 2002-2004 was Principal Second Violin with the Verbier Festival Orchestra, with whom he toured throughout Europe, Asia, and the Americas. He has appeared under the baton of some of the world's premier conductors, including James Levine, Christoph von Dohnanyi, Yuri Temirkanov, Kurt Masur, Paavo Jarvi, Mstislav Rostropovich, Kent Nagano, Wolfgang Sawallisch, Charles Dutoit, and Bobby McFerrin. Mr. Tong has performed with Mizayaki Festival Orchestra in Japan, the New York String Orchestra, and appeared as a guest soloist with the Verbier Chamber Orchestra under Dmitri Sitkovetsky and Yuri Bashmet. He was also a member of the original cast of Classical Savion at the Joyce Theater in New York City, a collaborative project with tap dancer Savion Glover.

A native of Binghamton, New York, Mr. Tong began his violin studies in a public elementary school program in the Johnson City School District before moving to Salt Lake City, Utah, when he was 11. As a student of Leonard Braus he was concertmaster of the Utah Youth Symphony for two years at age 15. He received his Bachelors degree at Indiana University in Bloomington, where he studied with the late Franco Gulli, Yuval Yaron, and Miriam Fried. In 2005 he completed his Masters Degree at the New England Conservatory of Music under Ms. Fried.

First generation born in the United States to parents from Hong Kong and Taiwan, Mr. Tong has an older sister, Melissa, who is an accomplished violinist residing in New York City and a younger sister, Jessica, who dances with the famed Hubbard Street contemporary dance company in Chicago.


The Borromeo String Quartet

Nicholas Kitchen
, Violin
Kristopher Tong, Violin
Mai Motobuchi, Viola
Yeesun Kim, cello

Ensemble-in-Residence at the New England Conservatory of Music
Ensemble-in-Residence at the Isabella Stewart Gardner Museum
Ensemble-in-Residence at the Taos School of Music summer program

Winner of the 2007 Avery Fisher Career Grant
Winner of Lincoln Center's Martin E. Segal Award (2001)
Winner of the Cleveland Quartet Award (1998)
Ensemble-in-Residence for National Public Radio's Performance Today (1998-99)
Top Prize at the International String Quartet Competition in Evian, France (1990)

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News Quotes

"A remarkably accomplished string quartet, not simply for its high technical polish and refined tone, but
more importantly for the searching musical insights it brings."
The Chicago Tribune

"A musical experience of luminous beauty"
- The San Diego Reader

"Each of the greatest string quartets has redefined what the possibilities of the medium are: through
the perfection of its ensemble and intonation, through its poise and its passion, the Borromeos
are recreating the medium anew and we are lucky to be here to hear it."
- The Boston Globe

"The digital tide washing over society is lapping at the shores of classical music. The Borromeo players
have embraced it in their daily musical lives like no other major chamber music group."
- New York Times

“It would not be an exaggeration for me to say that much of this book has come from trying to
figure out what makes the Borromeo Quartet’s performances so emotionally, intellectually,
and spiritually captivating.”
– from ‘
Music and the Soul' by author Kurt Leland

Each visionary performance of the award-winning Borromeo String Quartet strengthens and deepens its reputation as one of the most important ensembles of our time. Admired and sought after for both its fresh interpretations of the classical music canon and its championing of works by 20th and 21st century composers, the ensemble has been hailed for its"edge-of-the-seat performances," by the Boston Globe, which called it"simply the best there is."

Now celebrating its 25th anniversary, the Borromeo continues to be a pioneer in its use of technology, and has the trailblazing distinction of being the first string quartet to utilize laptop computers on the concert stage. Reading music this way helps push artistic boundaries, allowing the artists to perform solely from 4-part scores and composers’ manuscripts, a revealing and metamorphic experience which these dedicated musicians now teach to students around the world. As the New York Times noted,"The digital tide washing over society is lapping at the shores of classical music. The Borromeo players have embraced it in their daily musical lives like no other major chamber music group." Moreover, the Quartet often leads discussions enhanced by projections of handwritten manuscripts, investigating with the audience the creative process of the composer. And in 2003 the Borromeo became the first classical ensemble to make its own live concert recordings and videos, distributing them for many years to audiences through its Living Archive. The next offering of Living Archive, a music learning web portal, will be released next season. 

Passionate educators, the Borromeos encourage audiences of all ages to explore and listen to both traditional and contemporary repertoire in new ways. The ensemble uses multi-media tools such as video projection to share the often surprising creative process behind some works, or to show graphically the elaborate architecture behind others. This produces delightfully refreshing viewpoints and has been a springboard for its acclaimed young people’s programs. One such program is MATHEMUSICA which delves into the numerical relationships that under-pin the sounds of music and show how musical syntax mirrors natural forms. CLASSIC VIDEO uses one movement of a quartet as the platform from which to teach computer drawing, video editing, animation, musical form and production processes to create a meaningful joining of music and visual art.

The quartet has been ensemble-in-residence at the New England Conservatory and the Isabella Stewart Gardner Museum for twenty-three years; and has worked extensively as performers and educators with the Library of Congress (highlighting both its manuscripts and instrument collections); the Chamber Music Society of Lincoln Center and the Taos School of Music. The ensemble joined the Emerson Quartet as the 2014-15 Hittman Ensembles in Residence at the Peabody Institute in Baltimore, and its upcoming season includes substantial residencies at Colorado State University in Fort Collins, Kansas University in Lawrence, and the San Francisco Conservatory.

The ensemble has been acclaimed for its presentation of the cycle of Bartok String Quartets as well as its lecture"BARTOK: PATHS NOT TAKEN," both of which give audiences a once-in-a-lifetime chance to hear a set of rediscovered alternate movements Béla Bartók drafted for his six Quartets. Describing a Bartok concert at the Curtis Institute, the Philadelphia Inquirer wrote that the quartet"performed at a high standard that brought you so deeply into the music's inner workings that you wondered if your brain could take it all in ... The music's mystery, violence, and sorrow become absolutely inescapable."

Also noteworthy in the BSQ repertory are its dramatic discoveries within the manuscripts of the Beethoven Quartets, and its performances of the COMPLETE CYCLE; the BEETHOVEN DECATHALON (four concerts of Beethoven’s last ten quartets, all with pre-concert lectures exploring his manuscripts); and single BEETHOVEN TRYPTICH concerts (one concert including three quartets). Its expansive repertoire also includes the Shostakovich Cycle and those of Mendelssohn, Dvorak, Brahms, Schumann, Schoenberg, Janacek, Lera Auerbach, Tchaikovsky, and Gunther Schuller.

The Quartet has collaborated with some of this generation’s most important composers, including Gunther Schuller, John Cage, Gyorgy Ligeti, Steve Reich, Osvaldo Golijov, Jennifer Higdon, Steve Mackey, John Harbison, and Leon Kirchner, among many others; and has performed on major concert stages across the globe, including appearances at Carnegie Hall, the Berlin Philharmonie, Wigmore Hall, Suntory Hall, the Concertgebouw, Seoul Arts Center, Shanghai Oriental Arts Center, the Incontri in Terra di Siena Chamber Music Festival in Tuscany, the Prague Spring Festival and the Haydn Festival in Eisenstadt.

The 2015-16 season includes performances in Switzerland, Japan, Korea and China; the Bartók Cycle in Boston, San Francisco and at the Library of Congress; and appearances at the Schubert Club in Minneapolis, Amherst College, and Trinity Church Wall Street, to name only a few.

"Nothing less than masterful" (, the Borromeo Quartet has received numerous awards throughout its illustrious career, including Lincoln Center’s Avery Fisher Career Grant and Martin E. Segal Award, and Chamber Music America’s Cleveland Quartet Award. It was also a recipient of the Young Concert Artists International Auditions and top prizes at the International String Quartet Competition in Evian, France.   [September 2015]


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Foundation for Chinese Performing Arts

Foundation for Chinese Performing Arts
Lincoln, Massachusetts