Concert 5
Sunday August 11, 2019, 7:30 pm
at NEC's Brown Hall
Hung-Kuan Chen
陳宏寬,
pianist
~ Program
~
Ludwig van Beethoven
Piano Sonata
No. 27 in E minor, Op. 90
Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Nicht zu geschwind und sehr singbar vorgetragen
Ludwig van Beethoven
Piano Sonata No. 28 in A major, Op. 101
Allegretto,
ma non troppo
Vivace alla marcia
Adagio, ma non troppo, con affetto
Allegro
~ Intermission
~
Frédéric Chopin
Piano Sonata No. 2 in B-flat minor, Op. 35
Grave – Doppio movimento
Scherzo
Marche funèbre: Lento
Finale: Presto
Sergei Rachmaninoff
Piano Sonata No. 2 in B-flat minor, Op. 36
Allegro agitato
Non allegro—Lento
Allegro molto
~Encore
~
Ludwig van Beethoven
Sonata No. 13 in E-flat Major
"Quasi una fantasia", Op. 27, No. 1
IV Allegro
vivace
Admission Free,suggested donation $10 at door.
Age 6 and under not admitted.
中華表演藝術基金會
Foundation for Chinese Performing Arts
Lincoln,Massachusetts
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Hung-Kuan Chen
陳宏寬,
pianist
www.hanchenpiano.com
Pianist
Hung-Kuan Chen’s career - as well as his life -- has been a vivid
example of the concept of yin-and-yang. In that Chinese philosophy,
apparent opposites are actually complementary: each fulfills a need
in the other; one cannot exist without the other. Mr. Chen embodies
a synthesis of seeming opposites that coalesce into a unique artistic
personality.
Hung-Kuan Chen was born in Taipei and raised in Germany. He established
a strong connection to Germanic Classicism in his early studies
which he integrated with the sensibility of organic Chinese philosophy.
“I’m Chinese by birth,” he says, “but I’m actually more European.
I’ve read and studied a tremendous amount of the great literature
and language of Germany.”
Mr. Chen has performed in many of the world’s foremost concert venues,
including Carnegie Hall in New York, the Kennedy Center in Washington,
D.C., Davies Symphony Hall in San Francisco, the Tonhalle in Zürich,
the Herkulesaal in Munich, the Sala Verdi in Milan, Suntory Hall
in Tokyo, National Concert Hall in Taipei, Shanghai Concert Hall
and the Forbidden City Concert Hall in Beijing. He was the first
to perform the Rachmaninoff Third and Beethoven Fourth Piano Concertos
in Taipei, and gave the Shanghai premiere of the Bartók Second Piano
Concerto. His plans for the 2015-2016 season include solo and orchestral
performances in China and Switzerland, in Boston, and at Aspen and
Yale. He is also preparing new recordings to be made in Switzerland
in 2016.
One of the most honored pianists of his generation, Mr. Chen won
top prizes in the Arthur Rubinstein, Busoni, and Geza Anda International
Piano Competitions, and in the Young Concert Artists International
Piano Auditions. He also won prizes in the Queen Elisabeth, Montreal
International Musical and Van Cliburn International Piano Competitions,
as well as an Avery Fisher Career Grant.
Hung-Kuan Chen has enjoyed fruitful artistic collaborations with,
among others, Christoph Eschenbach, Hans Graf, George Cleve, Joseph
Silverstein, David Shifrin, Roman Totenberg, ChoLiang Lin, the Shanghai
Quartet, Sui Lan and Andrew Parrott. His most meaningful artistic
partnership is with his wife, Tema Blackstone, with whom he frequently
performs as a piano duo.
Hundreds of students worldwide have benefited from Hung-Kan Chen’s
knowledge and love of music. “Teaching and performing complement
each other,” he declares. “Teaching is sharing, and by sharing,
our search continues in a more objective way. When I share, I become
the beneficiary of the results of the investigation and the continued
questioning. This benefits my playing, as I’m often coming up with
new ideas and insights.”
Mr. Chen is currently on the faculty of The Juilliard School and
is a visiting professor at Yale, and is also on the faculty for
Artemisia Akademie at Yale. He previously served as Chair of the
piano department of Shanghai Conservatory, and was on the faculty
of New England Conservatory. He has adjudicated prominent international
piano competitions such as the Van Cliburn, Busoni, Shanghai, and
Honens. His 2015 summer teaching engagements included the Chinese
Foundation for the Arts, Piano Summer Institute in New Paltz, International
Music Akademie in Lichtenstein and Aspen Music Festival. Among notable
pianists he has taught or coached are Yuja Wang, Sean Chen and Niu
Niu.
In 1992, Hung-Kuan Chen suffered a hand injury which caused neurological
damage and eventually resulted in focal dystonia. Through meditation
and his own unique research, he was able to heal and return to his
life as a concert artist. His first post-accident solo recital in
1998 received rave reviews and he was described as a transformed
artist. Mr. Chen addresses his extraordinary journey in these terms:
“What gave me the drive and courage to find a cure? On one side
was the curiosity about the human body, awareness and consciousness;
and on the other, my desire to continue my art. This was the biggest
learning curve I had ever encountered. It meant having to detach
from ego and ambition. It taught me to embrace all that comes to
me and be extremely grateful…to notice the tiny things - those details
which create a full life and are often missed by most people. To
be ‘in the moment’ sounds clichéd but is not. And as part of the
search for meaning, the joy of being able to play again - that was
a true miracle.”
A many-faceted individual, Hung-Kuan has painted and drawn, danced,
and played several other instruments. He is a serious chef, bakes
his own bread and home brews beer. He is an artisan of home improvement,
a skilled woodworker and an electronics whiz. He is a meticulous
piano tuner, a knowledgeable jazz enthusiast, and an avid hiker.
He brings the same level of curiosity and dedication to both spiritual
and worldly pursuits.
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Thank you for
your generous contribution to
Foundation for Chinese Performing Arts
|
中華表演藝術基金會
Foundation for Chinese Performing Arts
Lincoln,Massachusetts |
|